Career: early efforts

Cultivating a rebellious manner, Joplin styled herself in part after her female blues heroines and, in part, after the Beat poets. Her very first song recorded on tape, at the home of a fellow student in December 1962, was "What Good Can Drinkin' Do". She left Texas for San Francisco in 1963, living in North Beach and later Haight-Ashbury. In 1964, Joplin and future Jefferson Airplane guitarist Jorma Kaukonen recorded a number of blues standards, further accompanied by Margareta Kaukonen on typewriter (as percussion instrument). This session included seven tracks: "Typewriter Talk", "Trouble In Mind", "Kansas City Blues", "Hesitation Blues", "Nobody Knows You When You're Down and Out", "Daddy, Daddy, Daddy" and "Long Black Train Blues", and was later released as the bootleg album The Typewriter Tape.

Around this time her drug use increased, and she acquired a reputation as a "speed freak" and occasional heroin user. She also used other intoxicants and was a heavy drinker throughout her career; her trademark beverage was Southern Comfort.

In the spring of 1965, Joplin's friends, noticing the physical effects of her amphetamine habit (she was described as "skeletal" and "emaciated"), persuaded her to return to Port Arthur, Texas. In May 1965, Joplin's friends threw her a bus-fare party so she could return home. Back in Port Arthur, she changed her lifestyle. She avoided drugs and alcohol, began wearing relatively modest dresses, adopted a beehive hairdo, and enrolled as a sociology major at Lamar University in nearby Beaumont, Texas. During her year at Lamar University, she commuted to Austin to perform solo, accompanying herself on guitar. One of her performances was reviewed in the Austin American-Statesman. Joplin became engaged to a man who visited her, wearing a blue serge suit, to ask her father for her hand in marriage, but the man terminated plans for the marriage soon after.